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Home > Center for Black Music Research > HouseMusic

Chicago House Music Oral History Project

Chicago House Music Oral History Project

 

Dr. Micah Salkind is the Deputy Director of The City of Providence Department of Art, Culture, and Tourism and Adjunct Assistant Professor of Humanities in the Department of American Studies at Brown University. As part of his work, he collaborates with large non-profit cultural institutions as well as emerging artists, designers, and creative entrepreneurs. He also serves on the boards of the Providence Public Library and Community MusicWorks and is an ongoing collaborator with dancers and scholars in Chicago’s Honey Pot Performance collective and Matthew Cumbie Projects’ “Growing Our Own Gardens” initiative.

A DJ, sound designer, and curator, he is the author of Do You Remember House? Chicago’s Queer of Color Undergrounds for which these oral history interviews were collected. The work "historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago's queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of colour congregation."

Currently, the audio files and biographical information are available; transcripts will be added when complete.

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  • Interview with Reggie Corner by Micah Salkind

    Interview with Reggie Corner

    Micah Salkind

    Reggie Corner is the music entrepreneur behind “The Way We Were.” He has helped to curate exhibitions like the Chicago Cultural Center’s Move Your Body, in addition to promoting and producing outdoor programs like House in the Park and the Chosen Few Old School Reunion Picnic. A fixture on the Chicago house scene since the early 1980s, Corner has been a force for preserving house culture for the generation that birthed it.

  • Interview with Reggie 'DJ Purple' Davenport by Micah Salkind

    Interview with Reggie 'DJ Purple' Davenport

    Micah Salkind

    Reggie Davenport came of age to the sound of hot mixing Chicago radio DJs during the 1980s. Shows on WKKC helped train him as a music lover at a young age, and he has kept his finger on the pulse of house music radio in the City ever since. He also cultivated his love of house music even when he left home to serve in the armed forces abroad, partying around England and the UK when he wasn’t on base. Today Davenport DJs online and around Chicago as DJ Purple.

  • Interview with Reggie Stanton by Micah Salkind

    Interview with Reggie Stanton

    Micah Salkind

    Chicago music entrepreneur and videographer who came of age on the deep South Side during the days of roller discos and juice bars. Stanton’s father worked for Mayor Daly’s security detail and his mother was a butcher. He grew up around McCormack Place working for Andy Frank’s security business before his father retired from his work with Daly and took over the contract there. This work gave Stanton a front-row seat for some of the biggest house music promotions, both successes and failures, that took place at the venue.

  • Interview with Reggio Mclaughlin by Micah Salkind

    Interview with Reggio Mclaughlin

    Micah Salkind

    “Reggio got his start dancing in Chicago's streets and subways, where he brought smiles to commuters' faces while developing his unique style of footloose, fancy-free hoofing. Working with Urban Gateways, an educational institution for the performing arts, as a dancer and educator, Reggio combined art with learning to bring upbeat and informative presentations into schools, museums and libraries. As he delved deeper into tap's history, Reggio met and formed a dance partnership with fellow Chicagoan Ernest 'Brownie' Brown, the vaudeville and Cotton Club legend. Reggio's lively educational programs embody the tradition of tap with sparkling performances and rich stories about its roots. While he studies and performs nationally and internationally, Reggio is based in Chicago, where he works with the Old Town School of Folk Music, The Chicago Department on Aging and Global Roots Out-Reach - which serves children in low-income schools.

 

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