Date of Award

Spring 5-11-2018

Degree Type

Capstone Thesis

Degree Name

Bachelor of Arts in Cultural Studies (BA)

Department

Cultural Studies

First Advisor

Douglas Reichert Powell

Second Advisor

Carmelo Esterrich

Third Advisor

Kenneth Daley

Abstract

Although there has been extensive discourse about gender and the performativity of gender from scholars, there is little room for the language and existence for Non-binary identities in the material world. Through a reading and discourse analysis informed by both queer theory and existentialism, this project demonstrates that the film, Hedwig and The Angry Inch (2001) goes beyond disrupting gender binaries to giving up on gender binaries altogether, postulating the existence of a creative identity beyond male and female. This film is used as a case study to analyze and deconstruct gender on screen and how people read gender non-conforming bodies. This project researches and analyzes the film through a queer lens while focusing on the implications of existentialist philosophy through gender and the expression of gender throughout the movie. The theoretical lens of queer theory and film analysis are utilized in order to establish recognition for gender identities that are not formally recognized. 40 pages.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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